Bit of an update

I have not written to this blog in a while... Or any blog, for that matter.

My schedule had been rather hectic with all the school stuff and the aforementioned io9 contest preparation, as well as some arranging for the October Hong Kong trip.

Right now I am waiting for the update in the Lenovo thinkpad line so I can get a decent new laptop for once in my life (my xps 1210 had aged badly, with the faulty GPU). Apparently current t61 generation will be updated to t400 in early August (5th they say, but I am not too sure about it), so I might as well wait it out and get the newest option, especially since the performance gap between Santa Rosa and Montevina platform in laptops seem to be rather significant.

Ugh. I hate it when I have to wait for things. Humanity simply must discover a way for time travel sometime in the future.

Abstraction=Engines of art

Note: This is something I have also posted on my other blog. Might be an interesting read.

The update at this blog had been intermittent for a while due to my personal circumstances, with moving to a new apartment, and the need to write up bunch of papers happening all at once. Now that I am a bit more settled I should be able to write here regularly. At least I hope that is the case… I do not think I can handle as much workload for a while.

I have always been interested in writing things. Writing is something that comes natural to me, in that while I am certainly not good at it, I can always pick up a pen or sit in front of a keyboard and scribble/type away as I drift away to a state of reverie. It is the same as with reading a good book. There is no need to force myself to concentrate. The process is quick and natural like playing an old instrument while intoxicated by its melody, a sort of self-reinforcing phenomena.

As such, it was only natural that I would try to fulfill my predilection toward the ever vague idea of beauty. I have always been puzzled by the nature of beauty since young age. I can tell for sure when something is beautiful to me or not, yet it is quite impossible to pinpoint the specific quality of the thing/person/situation that makes it appear/smell/feel beautiful in my senses. There is no consistency in the things that are capable of displaying the traits of beauty, as a garbage can and a work by Michelangelo might display the similar sense of sublime, that strange trait that we can only refer to with the vague term called beauty. And this *beauty* appears quite immaterial. I do not believe there is a single thing in this universe capable of appearing beautiful to all observers for all lengths of time. The trait of beauty can be highly subjective, and is bound to fade away after a period of time (when in view of a single observer) regardless of the hardiness of the physical material that radiates the feeling of beauty in its observers.

Would such traits suggest that the beauty literally is in the eyes of the beholder? There is no evidence to think that inorganic objects in this world is capable of reacting to certain objects in a way that an organic, conscious object would react to a thing of beauty. So it would be possible to assume that the ability to perceive beauty and react toward it in this world is limited to complex life-like systems (this is an assumption based only on what we know about complex systems and the physical relationships within the universe at the moment, of course). Yet the problem does not quite end at that point. Prokaryotes are complex life-like systems, yet can we possibly assume that such microbiotic systems are capable of feeling the thing we conscious human beings refer to as beauty? I have never talked to a prokaryote culture before, so I would not know. Let us re-examine the trait of beauty and beautiful things in this world for a moment. From what I can tell, beauty requires significant amount of neuronal resources in terms of sensory organs and processing units, aka the CNS. Would that mean that the ability to perceive beauty must be limited by the capacity of the senses? That external catalysis of sorts is always required in order to perceive/imagine beauty? It might be tempting to say yes to such an assumption, but I think we must remember that there are plenty of things in this world that are considered beautiful despite having no physical counterpart. Beautiful ideas. Beautiful future. Such are more or less information based constructs that might be represented by certain physical objects and situations in this world but not tied to the specific characteristics of the material. If beauty is intimately tied to its nature as a construct of information, then it is possible that the ability to perceive and react to beauty is intimately tied to the information processing capability, like the brain, which is in itself a vast complex adaptive system.

I think we might be onto something here. If the things I have outlined above have even a modicum of truth in it, the illusive nature of beauty might in fact be tied to the informational structure of the brain and its interaction with the external world, within which learning and memory themselves might act as catalyst between the world and the brain in perceiving and reacting to beauty…

Here is a million dollar question. If the immateriality of the concept of beauty and its acting in concert with innate mechanisms of brain and memories are true, would it be possible to write a finite-length work capable of giving persistent impression of beauty by conjuring up any and all images and ideas that can be felt/perceived by the readers mind? Would it be possible to write a piece that can simulate almost infinite gradient of human ideas and feelings within the readers mind by the virtue of ever changing yet persistent nature of human memory and innate information processing capacity of the human brain itself, using only limited number of imageries and terms that can be utilized in a single work of writing? The idea behind such a writing would be similar to the idea behind the evolution of natural language, of how limited number of alphabets are capable of composing rich vocabulary and astronomical variety of written, spoken works and ideas born from those works. Instead of alphabets, however, the work would have to discover and utilize certain archetypes of ideas, patterns and imageries as to make it possible for the reader to create something entirely new every time he/she reads it, the only characteristic shared between the infinite variety of reconstructions being the persistent presence of the indescribable beauty.

The ideas of artscience and artificial life takes on an entirely different perspective when viewed in such light. Artificial life would no longer be static art, but rather an *engine of beauty* in a persistent yet ever changing universe. Just as Kurzweil proposed the universe of meaningful information, artificial life might as well be the first step in a whole universe of sublime beauty.

Engines of Art

The update at this blog had been intermittent for a while due to my personal circumstances, with moving to a new apartment, and the need to write up bunch of papers happening all at once. Now that I am a bit more settled I should be able to write here regularly. At least I hope that is the case… I do not think I can handle as much workload for a while.

I have always been interested in writing things. Writing is something that comes natural to me, in that while I am certainly not good at it, I can always pick up a pen or sit in front of a keyboard and scribble/type away as I drift away to a state of reverie. It is the same as with reading a good book. There is no need to force myself to concentrate. The process is quick and natural like playing an old instrument while intoxicated by its melody, a sort of self-reinforcing phenomena.

As such, it was only natural that I would try to fulfill my predilection toward the ever vague idea of beauty. I have always been puzzled by the nature of beauty since young age. I can tell for sure when something is beautiful to me or not, yet it is quite impossible to pinpoint the specific quality of the thing/person/situation that makes it appear/smell/feel beautiful in my senses. There is no consistency in the things that are capable of displaying the traits of beauty, as a garbage can and a work by Michelangelo might display the similar sense of sublime, that strange trait that we can only refer to with the vague term called beauty. And this *beauty* appears quite immaterial. I do not believe there is a single thing in this universe capable of appearing beautiful to all observers for all lengths of time. The trait of beauty can be highly subjective, and is bound to fade away after a period of time (when in view of a single observer) regardless of the hardiness of the physical material that radiates the feeling of beauty in its observers.

Would such traits suggest that the beauty literally is in the eyes of the beholder? There is no evidence to think that inorganic objects in this world is capable of reacting to certain objects in a way that an organic, conscious object would react to a thing of beauty. So it would be possible to assume that the ability to perceive beauty and react toward it in this world is limited to complex life-like systems (this is an assumption based only on what we know about complex systems and the physical relationships within the universe at the moment, of course). Yet the problem does not quite end at that point. Prokaryotes are complex life-like systems, yet can we possibly assume that such microbiotic systems are capable of feeling the thing we conscious human beings refer to as beauty? I have never talked to a prokaryote culture before, so I would not know. Let us re-examine the trait of beauty and beautiful things in this world for a moment. From what I can tell, beauty requires significant amount of neuronal resources in terms of sensory organs and processing units, aka the CNS. Would that mean that the ability to perceive beauty must be limited by the capacity of the senses? That external catalysis of sorts is always required in order to perceive/imagine beauty? It might be tempting to say yes to such an assumption, but I think we must remember that there are plenty of things in this world that are considered beautiful despite having no physical counterpart. Beautiful ideas. Beautiful future. Such are more or less information based constructs that might be represented by certain physical objects and situations in this world but not tied to the specific characteristics of the material. If beauty is intimately tied to its nature as a construct of information, then it is possible that the ability to perceive and react to beauty is intimately tied to the information processing capability, like the brain, which is in itself a vast complex adaptive system.

I think we might be onto something here. If the things I have outlined above have even a modicum of truth in it, the illusive nature of beauty might in fact be tied to the informational structure of the brain and its interaction with the external world, within which learning and memory themselves might act as catalyst between the world and the brain in perceiving and reacting to beauty…

Here is a million dollar question. If the immateriality of the concept of beauty and its acting in concert with innate mechanisms of brain and memories are true, would it be possible to write a finite-length work capable of giving persistent impression of beauty by conjuring up any and all images and ideas that can be felt/perceived by the readers mind? Would it be possible to write a piece that can simulate almost infinite gradient of human ideas and feelings within the readers mind by the virtue of ever changing yet persistent nature of human memory and innate information processing capacity of the human brain itself, using only limited number of imageries and terms that can be utilized in a single work of writing? The idea behind such a writing would be similar to the idea behind the evolution of natural language, of how limited number of alphabets are capable of composing rich vocabulary and astronomical variety of written, spoken works and ideas born from those works. Instead of alphabets, however, the work would have to discover and utilize certain archetypes of ideas, patterns and imageries as to make it possible for the reader to create something entirely new every time he/she reads it, the only characteristic shared between the infinite variety of reconstructions being the persistent presence of the indescribable beauty.

The ideas of artscience and artificial life takes on an entirely different perspective when viewed in such light. Artificial life would no longer be static art, but rather an *engine of beauty* in a persistent yet ever changing universe. Just as Kurzweil proposed the universe of meaningful information, artificial life might as well be the first step in a whole universe of sublime beauty.

Finally.

Most of the stuff related to moving to the new apartment had been settled, and now I get to write by a new window of a new place. Finally I'll be able to have some regular presence on the web again.

Sometimes it feels as if human beings are tagging along on a ride of evolution of ideas... Whatever the ideas are. Plato never quite figured out himself it seems. Is it possible for a human being to be so captivated by certain archetypal form of idea/idea processing as to act as an extension of the incorporeal idea upon this universe?

I believe such people are usually called lunatics.